Selected poems by Joel Banner Baird

 Sexy Algae
(Katharine's Gift)    
Spring, 2009

Sexy algae, tease
my water-facing rock
my adoring dancing fossil
please me so
wave my beach-comb
melt my hard flows
gather-gather envy-emptied lapping
soft surf me green
soft surf me blue
on your forehead back to greet me
every divine time
tidings
wet memorials
lean to reach me
so darn spunky you
sexy, sexy algae
you


 

Token Hokem     Sept. 2006

Someone’s in the kitchen with Dina
Hitting on the old bamboo
Tunneling through the beefy leaf
with flame pulled by oceans

That resin’s resonance’s grammar
Traipses through the trachea like
Cautionary Literature

Mistakably Malaysian Like
Vowels without consonants Like
Thinking long and hard about the H20
Token hokem smoke is seasoning the dew

Eyes left continental
Eyes rising with the Seas
Eyes black-eyed Peas

Against a no-lie Sky
Hearing genuine Gaia
Swearing by a flame
pulled by ocean’s reach

Beyond the kitchen’s beach
Me and Dina on the old bamboo
Token hokem  so
long and hard about the H20

thinking long and hard about the H20



Tangent Flirts    Nov., 08

So moved, my slow
mood movement
traces you and you and you,
my dears;
inclined and angling at love to fall
lightly, to billow.

Still theoretical,
protracted, gandered -
these rays and reckonings
level and sway
plumb drunk, on edge
but sweetly mathematical.

Let me just admire y’all’s facets,
those whistles and bevels
and mighty fine axis.
Know my compass will roar
dead center somewhere
between upswing, rebound
and somewhere drawn in
and drawn down and drawn true.

By degrees and dimension
by my count, by measure
beyond measure y’all are
my quick study
so we so slowly
make passes and prisms
like slow light splays
I wave and keep waving:
so moved.



Why Waller?                         
July, 2002

Why waller
When you can holler?
Why fiddle and fret
With regard for
The time you get?
Why over-rate
The fate you create?

Why waller in June
When the moon firms up
And time hovers
For lovers?

It’s not exactly fool-proof
But it’s goofy and it’s rich
So how about it,
How about a kiss?

Let us forsake
Melancholy until
Our ankles shake, baby shake.

Bat Channel

March 2008

We charge at swipes of sky
Trill-seeking wave-riders
Skeeter-scooping in code
In appetite-mode
Sweeping for morsels, hearts and minds
Smaller yet more:
Daybreak prey and daybreak prayer
Weigh the same.
We’re all airborne, aired,
All dyed light black and caped
For the feint, the dive-bomb,
The sharp tack through glare
 White noise
Drummed-dumb artifact.
We drop in and ripple,
Pin-dance and needle,
Play fat-chance math for a moth
So everyone’s winning, re-running:
Same time, same place, same mass;
Same moon, same sun,
Same beam of disbelief
Lifts our winged fingers;
Touch that dial:
That’s some
Delicious click.



Instrumental
late summer, 2004

Sweet ache,
cooing like a coaxed drum,
like cave-heard rain
playing every fungal key
in the scalloped baritone
under the stones
where knee-deep rapids
in the neighborhood river
feud symphonic,
audience or not
then drawn shyly
to the eyes of trees:
birds fugue to the whining larynx
of a mid-size dog
of mysterious pedigree.


Hurricane’s Wash

September 2003

Hurricane’s wash winds up, winds down:

Isabel’s mid-Atlantic waltz

Skirts rain and scarves of cloud

Gathered and flung from a funnel,

Spun by the earth’s shear and spin,

Torn from the thickness of air

Like a gossamer top, uncoiled at birth

When the sun played favorites

With the wet of her Tropics

 

So hot underneath such cold sky heighths!

Such giant, heaving surges never reconciled

Gotta getta big move-on, right here.

So she gathers her robes and she straddles the sea

A myth named and noted, turns and tiptoes

Over her left shoulder, staring and

Un-making time irresistibly West.

 

Say – who claims these shores:

The insects who cling to its sand by the millions?

The creatures who pray for my disorientation?

Why should I listen?  Listen:

The salt and the sediment, the brick and the ceement,

Protein and enzyme rise and erode and dissolve

In my breath, in my sweat, in saliva, in tears.

 

Try turning the tides, try me on for size:

Steam-clean the biosphere, flush Earth’s foundations

Barge into dry hearts of continents unbidden

With some of my too-true religion.  Try.

 

Man’s gods reward man in man’s tiny ways:

little centuries, little cities, little wars, little species -

Briefly borrow my atoms and orbits,

My order, my physics, my rinse and my spin

And make way for my make-way way.                                

 



Julips     
2002


When there’s booze
There’s escape
From the most poignant bruises
In heat I totter
On the Isle of Qualms,
Multiple-choices;
Select your equilibrium:
En route or en route.

The frisson of a/c,
Panting for warmth -
The entrees arrive
Laden with ketchup
And taters and chives;
Catfish from the catty, slow South;
Beverages begin at 10,
Where straws are no longer straws
Where lips hide and divide,
Blushing smooth as bass lures.






Guys and Dogs

 March, 2000


Pre-thought, prehistoric:

Guys and Dogs blink knowingly;

Breathing deeply and with odor;

Forgiving of each other’s pedigree,

Grooming,  excesses and deficiencies.

We share a love of romp, of chase, of rump and cozy nuzzle; Fears of damp, solitude, hunger,  and exposure.

 

Dogs’ cunning takes on our scape (they hear higher and smell lower) They grant clues we humbly welcome Into our upright, fingered, and front-lobed puzzle.

 

Guys aspire to Dogs’ play,

To earth-bound and earth-cradled, four-foot-driven certainty; To guileless tail wagging, full-souled howls,

Barks, moans, and the truly pitiful whimper.

 

We pray there is a contagion between us

More practical than any dolphin’s song:

A drooling symbiosis that defines, without clumsy words,

Our territory, loyalties, muscle, and bone,

Guys and Dogs; muscle and bone.

 


 

The Great American Indoorsman

 2002


Every morning as I walk my dog Mona by the Middle River, I behold the works of great American indoorsmen.

 

Bud Lite cans. Half-full bottles of Mountain Dew. Rubbed and discarded lottery tickets. The cardboard and plastic remains of burgers, fries and a large soft drink.

Together, they form the sub-species’ emblem, a coat of arms: litter strewn around a potato couchante.

 

I try to imagine that the great indoorsmen are a generous bunch as they festoon the riverbank with the totems of their cheerful existence.

I try to imagine the fun it must be, casting off leftovers and the contents of ash trays — as if they never existed.

 

I wonder if there are correspondingly bigger pleasures when an indoorsman heaves a sack or two of household garbage or a half-gutted deer off the back of a pickup truck.

I must be missing something.

So I force myself to walk in their shoes — or rather, to lounge afloat the springs of their bucket seats.

An open car or truck window is an invitation: to sample the world without letting it barge into your life. A door swung wide approximates the repeated, televised promise of adventure and rugged machinery.

As long as the battery’s charged, your soundtrack will be there for you; will keep things familiar.

Go on, indoorsmen: step outside. You can always beat a hasty retreat to the convenience store for refills. Not bad for a theme park.

 

And you can bring the family.

 

The children of indoorsmen learn to dodge or ignore the broken glass and disposable diapers and the condoms. Even with their eyes open, they must assume, like their parents, that mankind’s detritus vanishes once it’s tipped downhill or downstream. The have a birthright. Property rights.

 

Some adult indoorsmen swam in the Middle River as kids. Some now teach their children to fish and to watch the ripples and the current. Most indoorsmen must feel the slow pleasures of the river’s seasons — or they wouldn’t keep coming back for another glimpse.

 

Maybe the junk is an offering to the river goddess.

 

Maybe the indoorsman sullies what he can’t own. Maybe it’s a form of rebellion; maybe the indoorsman feels betrayed by his job, his television, his dreams.

Maybe.


 


 
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