Sexy Algae (Katharine's Gift) Spring, 2009 Sexy algae, tease my water-facing rock my adoring dancing fossil please me so wave my beach-comb melt my hard flows gather-gather envy-emptied lapping soft surf me green soft surf me blue on your forehead back to greet me every divine time tidings wet memorials lean to reach me so darn spunky you sexy, sexy algae you
Token Hokem Sept. 2006
Someone’s in the kitchen with Dina Hitting on the old bamboo Tunneling through the beefy leaf with flame pulled by oceans
That resin’s resonance’s grammar Traipses through the trachea like Cautionary Literature
Mistakably Malaysian Like Vowels without consonants Like Thinking long and hard about the H20 Token hokem smoke is seasoning the dew
Eyes left continental Eyes rising with the Seas Eyes black-eyed Peas
Against a no-lie Sky Hearing genuine Gaia Swearing by a flame pulled by ocean’s reach
Beyond the kitchen’s beach Me and Dina on the old bamboo Token hokem so long and hard about the H20
thinking long and hard about the H20
Tangent Flirts Nov., 08
So moved, my slow mood movement traces you and you and you, my dears; inclined and angling at love to fall lightly, to billow.
Still theoretical, protracted, gandered - these rays and reckonings level and sway plumb drunk, on edge but sweetly mathematical.
Let me just admire y’all’s facets, those whistles and bevels and mighty fine axis. Know my compass will roar dead center somewhere between upswing, rebound and somewhere drawn in and drawn down and drawn true.
By degrees and dimension by my count, by measure beyond measure y’all are my quick study so we so slowly make passes and prisms like slow light splays I wave and keep waving: so moved.
Why Waller? July, 2002
Why waller When you can holler? Why fiddle and fret With regard for The time you get? Why over-rate The fate you create?
Why waller in June When the moon firms up And time hovers For lovers?
It’s not exactly fool-proof But it’s goofy and it’s rich So how about it, How about a kiss?
Let us forsake Melancholy until Our ankles shake, baby shake.
Bat Channel
March 2008
We charge at swipes of sky Trill-seeking wave-riders Skeeter-scooping in code In appetite-mode Sweeping for morsels, hearts and minds Smaller yet more: Daybreak prey and daybreak prayer Weigh the same. We’re all airborne, aired, All dyed light black and caped For the feint, the dive-bomb, The sharp tack through glare White noise Drummed-dumb artifact. We drop in and ripple, Pin-dance and needle, Play fat-chance math for a moth So everyone’s winning, re-running: Same time, same place, same mass; Same moon, same sun, Same beam of disbelief Lifts our winged fingers; Touch that dial: That’s some Delicious click.
Instrumental late summer, 2004
Sweet ache, cooing like a coaxed drum, like cave-heard rain playing every fungal key in the scalloped baritone under the stones where knee-deep rapids in the neighborhood river feud symphonic, audience or not then drawn shyly to the eyes of trees: birds fugue to the whining larynx of a mid-size dog of mysterious pedigree.
Hurricane’s Wash
September 2003
Hurricane’s wash winds up, winds down:
Isabel’s mid-Atlantic waltz
Skirts rain and scarves of cloud
Gathered and flung from a funnel,
Spun by the earth’s shear and spin,
Torn from the thickness of air
Like a gossamer top, uncoiled at birth
When the sun played favorites
With the wet of her Tropics
So hot underneath such cold sky heighths!
Such giant, heaving surges never reconciled
Gotta getta big move-on, right here.
So she gathers her robes and she straddles the sea
A myth named and noted, turns and tiptoes
Over her left shoulder, staring and
Un-making time irresistibly West.
Say – who claims these shores:
The insects who cling to its sand by the millions?
The creatures who pray for my disorientation?
Why should I listen?Listen:
The salt and the sediment, the brick and the ceement,
Protein and enzyme rise and erode and dissolve
In my breath, in my sweat, in saliva, in tears.
Try turning the tides, try me on for size:
Steam-clean the biosphere, flush Earth’s foundations
Barge into dry hearts of continents unbidden
With some of my too-true religion.Try.
Man’s gods reward man in man’s tiny ways:
little centuries, little cities, little wars, little species -
Briefly borrow my atoms and orbits,
My order, my physics, my rinse and my spin
And make way for my make-way way.
Julips 2002
When there’s booze There’s escape From the most poignant bruises In heat I totter On the Isle of Qualms, Multiple-choices; Select your equilibrium: En route or en route.
The frisson of a/c, Panting for warmth - The entrees arrive Laden with ketchup And taters and chives; Catfish from the catty, slow South; Beverages begin at 10, Where straws are no longer straws Where lips hide and divide, Blushing smooth as bass lures.
Guys and Dogs
March, 2000
Pre-thought, prehistoric:
Guys and Dogs blink knowingly;
Breathing deeply and with odor;
Forgiving of each other’s pedigree,
Grooming,excesses and deficiencies.
We share a love of romp, of chase, of rump and cozy nuzzle; Fears of damp, solitude, hunger,and exposure.
Dogs’ cunning takes on our scape (they hear higher and smell lower) They grant clues we humbly welcome Into our upright, fingered, and front-lobed puzzle.
Guys aspire to Dogs’ play,
To earth-bound and earth-cradled, four-foot-driven certainty; To guileless tail wagging, full-souled howls,
Barks, moans, and the truly pitiful whimper.
We pray there is a contagion between us
More practical than any dolphin’s song:
A drooling symbiosis that defines, without clumsy words,
Our territory, loyalties, muscle, and bone,
Guys and Dogs; muscle and bone.
The Great American Indoorsman
2002
Every morning as I walk my dog Mona by the Middle River, I behold the works of great American indoorsmen.
Bud Lite cans. Half-full bottles of Mountain Dew. Rubbed and discarded lottery tickets. The cardboard and plastic remains of burgers, fries and a large soft drink.
Together, they form the sub-species’ emblem, a coat of arms: litter strewn around a potato couchante.
I try to imagine that the great indoorsmen are a generous bunch as they festoon the riverbank with the totems of their cheerful existence.
I try to imagine the fun it must be, casting off leftovers and the contents of ash trays — as if they never existed.
I wonder if there are correspondingly bigger pleasures when an indoorsman heaves a sack or two of household garbage or a half-gutted deer off the back of a pickup truck.
I must be missing something.
So I force myself to walk in their shoes — or rather, to lounge afloat the springs of their bucket seats.
An open car or truck window is an invitation: to sample the world without letting it barge into your life. A door swung wide approximates the repeated, televised promise of adventure and rugged machinery.
As long as the battery’s charged, your soundtrack will be there for you; will keep things familiar.
Go on, indoorsmen: step outside. You can always beat a hasty retreat to the convenience store for refills. Not bad for a theme park.
And you can bring the family.
The children of indoorsmen learn to dodge or ignore the broken glass and disposable diapers and the condoms. Even with their eyes open, they must assume, like their parents, that mankind’s detritus vanishes once it’s tipped downhill or downstream. The have a birthright. Property rights.
Some adult indoorsmen swam in the Middle River as kids. Some now teach their children to fish and to watch the ripples and the current. Most indoorsmen must feel the slow pleasures of the river’s seasons — or they wouldn’t keep coming back for another glimpse.
Maybe the junk is an offering to the river goddess.
Maybe the indoorsman sullies what he can’t own. Maybe it’s a form of rebellion; maybe the indoorsman feels betrayed by his job, his television, his dreams.
Maybe.
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